White Evening Gown, 1972

Model Crystal Klets wears a Charles Kleibacker gown in a wool/Dacron blend in this 1972 photograph.

Courtesy of the Charles Kleibacker Collection, Kent State University School of Fashion Design and Merchandising
White Evening Gown, 1972

Qiana Jersey Print

Qiana jersey print gown by Charles Kleibacker.

Photograph courtesy of the Kent State University Museum
Qiana Jersey Print

Black Silk Dress

Black silk crepe gown with a black silk chiffon overdress by Charles Kleibacker.

Photograph courtesy of the Kent State University Museum
Black Silk Dress

White Lace Halter Dress

Two-piece white lace Charles Kleibacker halter dress made from silk and cotton, 1950s.

Photograph courtesy of the Kent State University Museum
White Lace Halter Dress

Teal Crepe Gown, 1974

A runway model displays a Charles Kleibacker gown made from teal blue silk crepe de chine following pattern M238.

Courtesy of the Charles Kleibacker Collection, Kent State University School of Fashion Design and Merchandising
Teal Crepe Gown, 1974

Green Crepe Gown, 1979

When the fashion industry returned to more flowing garments cut on the bias in the early 1970s, Charles Kleibacker had been working with this complex technique for more than a decade and was thus able to garner a discerning clientele, as with this celadon green silk crepe dress from 1979.

Photograph courtesy of the Kent State University Museum
Green Crepe Gown, 1979

Gown and Ensemble, 1971 and 1981

These Charles Kleibacker garments were designed to flatter the wearer's body through the use of color and the focus of the lines at the midsection. The brown and ivory silk dress (left, 1971) is cut on the bias, and the brown silk and champagne broadcloth ensemble (right, 1981) is cut on the straight of the grain.

Photograph courtesy of the Kent State University Museum
Gown and Ensemble, 1971 and 1981

Silk Crepe Dress, 1984

Charles Kleibacker vacated his studio in New York’s Hotel Park Royal in 1984, and this ivory crepe dress is among the last designs that he produced.

Photograph courtesy of the Kent State University Museum
Silk Crepe Dress, 1984

Yellow Crepe Dress, Mid-1970s

The seaming evident in this Charles Kleibacker design allows the gown to fit the upper body extremely well while also creating a decorative treatment.

Photograph courtesy of the Kent State University Museum
Yellow Crepe Dress, Mid-1970s